• Skip to main content
  • Skip to primary sidebar
  • Home
  • Categories
  • Authors
  • Print Versions
  • About
  • Masthead
    • 2022-2023
    • 2016-2017

The Bowdoin Review

Hollywood’s Obsession With Killers

Written by: Ramya Chengalvala
Published on: April 1, 2019

In Hollywood, sex and scandal corral in audiences by the thousands and for good reason- but where is the distinction between telling an honest story and romanticising an unworthy person? American cinema is no stranger to the twisted films surrounding murderers, rapists, and sadists. Look no further than the classic, American Psycho (2001), a film that performed outstandingly in box offices and has lingered as a classic.

In their latest attempt to win over audiences, COTA Films has created Extremely Wicked, Shockingly Evil and Vile (2019). In what appears to be a continuation of a celebration of violence and scandal in Hollywood, the film is based on the harrowing real story of serial killer Ted Bundy. Bundy, who is played by Hollywood heartthrob Zac Efron, is portrayed as a charismatic, sexy villain. The film appears to focus on building a man with a story beyond that of his criminal charges. But the film airs on the side of romanticizing the most notorious murderer of the twentieth century who was found responsible for the rape and murder of over thirty women. It’s one thing to portray a story but to distort real criminals into people they aren’t seems a tad classless.  

Even more troubling is the recent news of Netflix picking up the film; the film will soon be available to wide audiences that have heralded Efron throughout his career and pose a problem in how younger generations perceive Bundy’s actions.

The initial release of the film’s trailer has sparked both uproar and appraisal on Twitter as audiences reacted to the initial preview at the 2019 Sundance Film Festival.

While some nod to the film’s acknowledgement of Bundy’s strategic use of charisma to appeal to females, others claim the film is sexualizing Bundy for young female audiences to consume.  

 

Efron himself has come forward to ensure that the film isn’t a “celebration” or “glorification of him” but rather a “psychological study of who [Bundy] was.”

But the fact remains, Ted Bundy was a serial killer. Yes, he was a human being,  but so were every single one of his victims. Giving depth to his story as a misunderstood outsider only excuses the behavior that Bundy exhibited towards women. Ted Bundy may have been a person with depth, but it does not change the heinous crimes he committed.

Films serve to tell a story, but is revisiting the story of America’s most dangerous serial killer a worthy cause or just another mistake in our consumption of real crime?

Only time will tell. Unless Hollywood decides to tell the story for us, of course.

 

Categories: FilmTags: Hollywood

Primary Sidebar

Recent Posts

  • Why South Africa Remains Unequal Thirty Years After Apartheid May 7, 2024
  • Skeptical of September February 8, 2024
  • Waterwheel February 7, 2024
  • Nineteen February 7, 2024
  • D.C.’s Most Expensive Retirement Home: Congress    February 7, 2024
  • Instagram

Archives

  • May 2024
  • February 2024
  • October 2023
  • April 2023
  • February 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • May 2022
  • April 2022
  • February 2022
  • December 2021
  • November 2021
  • April 2021
  • March 2021
  • February 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • April 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • August 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • December 2016
  • November 2016
  • October 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • May 2015
  • April 2015
  • December 2014
  • October 2014
  • April 2014
  • March 2014
  • December 2013
  • November 2013
  • February 2012

Copyright © 2025 · The Bowdoin Review - A voice on campus for politics, society, and culture.